![](1gold4.jpg)
|
Model
3-The spotlight on Dr. Gold atop the East Gate of the Temple.
|
As the action continues
uninterrupted,
music starts to play, the
stage is completely dark as shown above in Model 1 and there is nobody
onstage.
Shortly thereafter, a large flame shoots up into air above the East
Gate of the Temple and we
see the silhouette of Dr. Gold who is standing atop the East Gate as
shown above in Model
2. Following this, a spotlight encircles Dr. Gold as he
continues to
stand atop the East Gate as shown above in Model 3. At this point, Dr.
Gold
begins his address at the dedication ceremony with the dialogue below.
Dr. Gold: What a glorious time to be alive! 3½
years ago the world stood on the brink of collapse and I asked you to
have
faith and trust in me. I promised I would breath new life into
our
dying world. You gave me your support and just look at the brand new
world
we've created together. We're well on our way to putting in place a
government that serves the needs
of all
the people and not just a select few.-(Dr.
Gold pauses and the crowd roars its approval.) Through the Gold
Peace
Accord, the impossible dream of world peace has become reality and
for
the
first time in history our children play in a world free from the
nightmare of
war.-(Dr. Gold pauses and the crowd roars its approval)
As
promised, the GPS system is now fully operational and online worldwide.
We
now
have
the most innovative and advanced economic system the world's ever
known. It
will usher in a new era of prosperity and economic growth like never
before and
soon we will all walk on streets of Gold!-(Dr. Gold pauses and
the crowd
roars its approval) And never before has our world been in such
spiritual harmony with all religions united for one universal purpose,
the
complete unification of all humanity, one body and one
SOUL!-(When Dr. Gold says "one body and one
SOUL" from the dialogue above, the SOUL logo which was
seen earlier in the act "Man of the Hour" appears on the video screens
on each side of the live stage. The SOUL logo will remain on these screens as
the unveiling of the new Temple takes place. At this point, the action
continues uninterrupted with Models 4-8 and the text below Model 8 as
the unveiling of the new Temple occurs live onstage.)
![](1gold5.jpg)
|
Model
4-The "East Gate" Lights Up.
|
![](1gold6.jpg)
|
Model
5a-The artwork of Abraham and Solomon.
|
![](1gold7.jpg)
|
Model
5b-The artwork of Moses and David.
|
![](1gold8.jpg)
|
Model
5c-The artwork of prophet Daniel and Isaiah.
|
![](1gold9.jpg)
|
Model
6a-The gold pillars light up-The tribes of "Naphtali and Dan."
|
![](1gold10.jpg)
|
Model
6b-The gold pillars light up-The tribes of "Simeon and Manasseh."
|
![](1gold11.jpg)
|
Model
6c-The gold pillars light up-The tribes of "Issachar and Zebulun."
|
![](1gold12.jpg)
|
Model
6d-The gold pillars light up-The tribes of "Ephraim and Benjamin."
|
![](1gold13.jpg)
|
Model
7a-Lights lighting up #1.
|
![](1gold14.jpg)
|
Model
7b-Lights
lighting up #2.
|
![](1gold15.jpg)
|
Model
7c-Lights lighting up #3.
|
![](1gold16.jpg)
|
Model
7d-The Sanctuary of "The Temple of Gold."
|
![](1gold17.jpg)
|
Model
8-The front of the Temple with the Jerusalem backdrop.
|
As the
action continues
uninterrupted with the following text and Models 4-8, the
stage looks like Model 3 above, Dr. Gold
continues his address with the dialogue below and the unveiling of the
new
JewishTemple begins live onstage.
Dr.
Gold:( (1)Now
for the moment you've all been waiting for. (2)They
said it couldn't be done, that a new Jewish Temple
could never be built next to the Dome of the Rock
on the Temple
Mount.
(3)Sound the trumpets and
let the unveiling
begin! (4)Step up and
enter the new Temple
of Jerusalem. (5)Walk with me down the hall
of prophets and patriarchs with artwork done by the
world's
premier artists celebrating the unique and extraordinary history of the
Jewish
people; Joseph and Elijah(not
pictured}, Noah and Samson(not pictured}, Abraham
and
Solomon, Moses and David, and Daniel and Isaiah. (6)Stand tall and proud Israel
with
twelve
gold pillars for the twelve tribes of the Sons of Israel; the tribes of Judah
and
Rueben(not pictured), Gad and Asher(not pictured),
Naphtali and Dan, Simeon and Manasseh, Issachar and Zebulun, and
Ephraim and
Benjamin. (7)Oh
Jerusalem,
let your light shine bright for all the world to see with domes of
diamonds and rubies(not
pictured), emeralds and sapphires(not pictured),
beryl and
turquoise, topaz and jacinth, onyx and jasper, and agate and amethyst. (8)Now enter the sanctuary of
the Temple and ascend
to your
throne as king of all nations!-(As
Dr. Gold speaks the dialogue above,
soundtrack music continues to play and will be heard for the remainder
of his
address.The red numbers in the
parentheses above refer to the number of each sentence in the dialogue
above and have been put there to aid you in following the action. The
unveiling of the front of the Temple
live
onstage is
choreographed precisely with the words spoken by Dr. Gold and lights
up sequentially. Refer to Models 4-8 above for the action described in
this
segment. When Dr. Gold says "Sound the trumpets and let the unveiling
begin" in sentence 3, a chorus of deafening trumpets is
heard. As Dr. Gold says sentence 4, the steps
leading
up to the East Gate light up in sequence moving from the bottommost
steps
upward and then the East Gate of the Temple complex lights up as shown
above
in Model
4. Following this, Dr. Gold calls out the names of ten
pieces of
artwork in sentence 5 in pairs
that are found on the gold walls of the gold porches on each side of
the
front of the Temple
complex. When he calls out
each pair,
the front part(porches) of the Temple complex lights up section by
section
moving from the outermost parts of the front of the complex inward as
shown above in
Models 5a-5c. For example, when Dr. Gold says "Abraham and Solomon,"
the far left and right areas of the front of the Temple complex light up at the same
time and the
artwork of
Abraham and Solomon becomes visible as shown above in Model 5a.
Following
this, Dr.
Gold says "Moses and David" and the next sections on the left and
right sides of the front of the Temple complex light up at the same
time and the artwork
of Moses
and David becomes visible as shown above in Model 5b.The same sequence
of
events as
above occurs when Dr. Gold says "Daniel and Isaiah" and the stage
looks like Model 5c above when Dr. Gold finishes sentence 5. Models
5a-5c don't
show the first 4 pieces of artwork called out in sentence 5. This is
because
the models above only show part of the front of the Temple complex that would be seen
onstage.
The Temple complex onstage would actually extend further to the left
and to the
right than what's shown in all of the models above and would include
not only
all
ten pieces
of artwork but also four more gold pillars and domes. An example of
this is shown in
the
picture below.
As the action continues
uninterrupted, Dr. Gold calls out the names of the twelve tribes of Israel
in pairs in sentence 6. Each time he does this, one gold pillar on each
side of
the front of the Temple complex lights up at the same time moving from
the outermost pillars
inward
as shown above in Models 6a-6d.The twelve gold pillars represent the
twelve
tribes of Israel and each pillar has the name of one of the tribes of
Israel
inscribed on the front of it in Hebrew. The letters of each tribe's
name on the pillars are made up of the world's most valuable diamonds.
However, these names on the pillars aren't visible in the models above.
After Dr. Gold
completes sentence 6, the
stage looks
like Model 6d above. However, Models 6a-6d don't show the first 4
pillars called
out in
sentence 6. This is because the models only show part of the front of
the Temple
complex that would
be seen onstage as described earlier. The front of the Temple
complex onstage would actually extend further to the left and to the
right than
what's shown in the models and would include all 12 pillars as shown in
the
picture above. Although Models 6a-6d show lit up domes on top of the
lit up
pillars, the domes don't actually light up until Dr. Gold says sentence
7 from
the dialogue above. In sentence 7, Dr. Gold calls out the names of six
pairs of
precious stones for a total of 12 different stones which also represent
the
twelve tribes of Israel.
Each time he does this, a dome atop a gold pillar on each side of
the
front of the Temple complex
lights up at the same time moving from the domes atop the
outermost gold
pillars inward. There are no models above that show this action but the
domes
light up in the same sequence as described above for the gold pillars.
As soon
as each pair of domes light up, they begin spinning around and act like
kaleidoscopes projecting multi-colored patterns all over the
stage.
This is
not shown in the models above. The first 4 domes(precious stones)
called out in
sentence 7 aren't seen in the models above for the same reason the
first 4
pieces of artwork and first 4 pillars weren't seen in earlier models
which
was
discussed above. When Dr. Gold finishes sentence 7, the live stage
looks
like Model
6d above and both gold porches on each side of the East Gate are
completely lit up. After Dr. Gold says "Now enter the sanctuary of the Temple"
in sentence 8, he turns
around, and
looks and points
upward. Immediately thereafter, as he says "and
ascend
to your
throne as king of all nations," colored
lights on the left and right
sides of
the stage light up in sequence at the same time moving from the
outermost
lights inward as shown above in Models 7a-7c. Following this, a video
image of the sanctuary of the
Temple appears on the large video screen onstage as shown above in
Model 7d.
Shortly thereafter,
a video backdrop of the Temple Mount and
Jerusalem at night appears on the large video screen onstage replacing
the
lights as
shown above in Model
8. At the same time, new pre-taped video footage of the Temple
dedication on the Temple Mount starts to play on the video screens on
each side of the live stage replacing the SOUL logo and we see the
entire Temple for the first
time. The
Temple is
a magnificent
and beautiful
complex boasting
the largest collection of precious stones anywhere in the world and is
overlaid in 24 karat gold as mentioned earlier. All the
structures of
the complex including the gates and walls surrounding the Temple
have precious jewels embedded in them and the entire Temple sparkles as
light reflects off the surface of these jewels. The
pre-taped footage playing on the screens on each side of live stage
will allow us to show
the entire Temple complex including
all the areas shown above in the simple diagram of the new Temple in
Model 1 and
not
just the front part of the complex and the sanctuary. The footage will
also allow us to show action
from the Temple Mount that can't be re-produced live onstage such as
views of the entire Temple Mount and the surrounding area, and the
crowd
on the Temple Mount attending the dedication.
Any action
that occurs in the
pre-taped video footage from the Temple Mount is in synch with the live
action onstage particularly action involving the front part of the
Temple complex and the
sanctuary of the new Temple. The pre-taped video footage on the screens
on each side of the live stage will play for the remainder of the
action in
the act "The Temple of Gold." The action continues uninterrupted with
Models 9-32 and the text below Model 32. In the remaining action that occurs
live onstage in the act "The Temple of Gold," only the East Gate and
front
of the Temple is an actual prop. The Sanctuary of the new Temple and
any
other images or scenes that appear onstage are video images playing on
the
large video screen onstage. The only characters that appear live
onstage are Dr. Gold, Dr. Silver and the Ten Prophets and
Patriarchs.)
![](1gold19.jpg)
|
Model
9-The front of the Temple with the Jerusalem backdrop.
|
![](1gold20.jpg)
|
Model
10-Rays of lights illuminate the porches and artwork of the Temple.
|
` `
![](1gold21.jpg)
|
Model
11-The Prophets and Patriarchs in the artwork come to life.
|
![](1gold22.jpg)
|
Model
12-The Prophets and Patriarchs rising upward #1.
|
![](1gold23.jpg)
|
Model
13-The Prophets and Patriarchs rising upward #2.
|
![](1gold24.jpg)
|
Model
14-The Prophets and Patriarchs stand atop the front of the Temple.
|
![](1gold25.jpg)
|
Model
15-The glory
cloud moves over the Temple and Jerusalem #1. |
![](1gold26.jpg)
|
Model
16-The glory
cloud moves over the Temple and Jerusalem #2. |
![](1gold27.jpg)
|
Model
17-The glory
cloud moves over the Temple and Jerusalem #3. |
![](1gold28.jpg)
|
Model
18-Rays of ight from above shine down on the Sanctuary.
|
![](1gold29.jpg)
|
Model
19-A Jewish
Star appears in the sky moving downward in the light. |
![](1gold30.jpg)
|
Model
20-Gold angels carrying Star and Ark move downward in the sky #1.
|
![](1gold31.jpg)
|
Model
21-Gold
angels carrying Star and Ark move downward in the sky #2.
|
![](1gold32.jpg)
|
Model
22-Gold
angels grab hold of the Ark in the center of the Jewish Star.
|
![](1gold33.jpg)
|
Model
23-Angels
flying downward carrying the Ark to the Sanctuary #1.
|
![](1gold34.jpg)
|
Model
24-Angels flying downward carrying the
Ark to the Sanctuary #2.
|
![](1gold35.jpg)
|
Model
25-Angels flying downward carrying the
Ark to the Sanctuary #3.
|
![](1gold36.jpg)
|
Model
26-The gold
Star of David moving downward once again #1. |
![](1gold37.jpg)
|
Model
27-The gold Star of David moving downward #2.
|
![](1gold38.jpg)
|
Model
28-The gold
Star
of David moving downward #3. |
![](1gold39.jpg)
|
Model
29-The
Temple and glory cloud darken and the gold Star shines.
|
![](1gold40.jpg)
|
Model
30-Light from above shines down on
Dr. Gold atop the East Gate.
|
![](1gold41.jpg)
|
Model
31-Dr. Gold
levitates, Star moves forward and he climbs aboard it. |
![](1gold42.jpg)
|
Model
32-Lights from above shine down on
Prophets and Patriarchs.
|
As the
action continues
uninterrupted with the following text and
Models 9-32, the stage looks like
Model 9 above and Dr. Gold
continues his address speaking to the crowd at the dedication of the
new Temple on the Temple Mount. Models 9-32 depict action on
the live stage but the same action occurs in the pre-taped video
footage playing on the screens on each side of the live stage in sync
with the live action.
Dr. Gold: (1)To
my Jewish brethren here and abroad, tonight will be
remembered as
one
of the
greatest moments in your long and storied history. (2)Prophets
and patriarchs
of old rise up (Dr. Gold pauses), rise up and
witness the glory of God and the
spiritual restoration of your people and nation! (3)Father,
anoint this
house and re-affirm your
covenant with your chosen people.
(4)The
Shekinah
cloud
of glory
appears for the first time since the days of Solomon and now fills
the sanctuary with the spirit of God as
the
heart and soul of the new Temple are about to be revealed.
(5)Missing
since the Babylonians destroyed Solomon's Temple 2500 years ago and
feared lost
forever, these blessed artifacts were taken into
heaven during the Temple's destruction for
safekeeping until this very moment,
this pre-destined and divinely
appointed time, behold the Ark of the Covenant and the Ten Commandments! (6)I
foresaw these same events take place one night three years ago in a
prophetic vision while standing alone on the Temple Mount shortly after
construction of the
Temple began for how else could I possibly know the Ark of the Covenant
and Ten
Commandments would appear in the sky at this very moment. (7)In
that same vision, I saw a New Jerusalem, a city and nation at peace,
with a new Temple that would never
suffer the same fate as those of the past, and that I was to be your
protector. (8)Let
no one forget that I'm in a seven year peace treaty with this great
nation and any attack on them will be considered an attack on me. (9)Oh
Israel, I
will never forsake you. (10)A
glorious new Temple, the return of the Ark of the Covenant and Ten
Commandments to the Holy of Holies and peace with all your enemies, is
this not
your finest hour!-(The
following action accompanies the dialogue above.
When
Dr.
Gold says "Prophets
and patriarchs
of old rise up"
in sentence 2, he looks upward as if
expecting something to happen and ten
rays of light shoot down
from out of the sky on to the front of the Temple porches illuminating the
artwork and the area in front of it as shown above in Model 10.
In the models above, there are only six rays of light shown
illuminating six pieces of artwork on the Temple porches and there
should be ten rays of light illuminating ten pieces of artwork. This is
because
the models above only show part of the front of the Temple complex as described earlier.
The Temple complex onstage would actually extend further to the left
and to the
right than what's shown in the models above
and there would actually be ten pieces of artwork. After the rays of
light shoot down out of the sky on to
the porches, the
ten
prophets and patriarchs in the artwork supernaturally come to life and
walk out of the
artwork on to the porches of the Temple as shown above in
Model 11. At
this point,
Dr. Gold extends his arms out from his body
with his palms facing upwards and lifts his arms upwards as he says
"rise up" for the second time in sentence 2. In response, the prophets
and patriarchs levitate upward as shown above in Model 12 until they
are
standing
atop the front of the Temple as shown above in Model 13. As soon as Dr.
Gold finishes sentence 2, the lights from above quit shining down on
the prophets and patriarchs as
shown above in Model 14. Following this, Dr. Gold turns
around so that he's facing the Sanctuary of the Temple and his back is
to the
audience, he looks and points upward, the prophets and patriarchs
respond in kind turning around and looking upward also, and Dr.
Gold
says sentence 3.
As Dr. Gold
says sentence 4, he and the prophets and patriarchs continue looking
upward facing the Sanctuary and the Shekinah
glory cloud begins to emerge over Jerusalem until it covers all of the
city and the Temple Mount. The main part of the glory cloud is
right above and enters the Sanctuary of the new Temple. This sequence
of
events is shown
above in
Models 15-17. The Shekinah
glory cloud is the cloud that was with the Israelites during their
exodus from Egypt, that appeared above the tabernacle in the
wilderness, that was present on Mt. Sinai when Moses received the
Ten
Commandments, and was above and filled Solomon's Temple at its
dedication ceremony. The glory cloud
was a direct manifestation of the Lord himself but this is an evil,
counterfeit glory cloud created to deceive the people particularly the
Jews. When Dr. Gold
begins sentence 5, he is still
looking upward with his back to the audience, rays of light appear and
shine down on the top of the Sanctuary as shown above in Model 18, Dr.
Gold points to the origin of
the light in the sky, and an image begins to emerge from the
light and clouds in the sky as shown above in Model 19. By the time
Dr. Gold says " the Ark of the Covenant and Ten Commandments" in
sentence 5, we see the image in the sky is two gold
angels flying downward and they're carrying a large, gold Star of David
which has the Ark of the
Covenant in the center of it as
shown above in Models 20 and 21.
When the star is postioned as shown above in Model 21, the
angels and the Jewish star stop moving downward, the angels fly to the
center of
the Star and grab hold of the Ark of the Covenant as shown
above in Model 22. Immediately thereafter, the angels start flying
downward once again carrying the Ark with them until they unltimately
enter
the Sanctuary and are no longer visible.
This
sequence of events is shown above in Models 22-26 and occurs as Dr.
Gold says sentence 5 and 6 from the dialogue above. As
soon as Dr. Gold finishes sentence 6,
he and the prophets and patriarchs turn back around so they're facing
the live audience and the crowd on the Temple Mount
in the pre-taped video. All the action just described happens both live
onstage and in the pre-taped video footage playing on the screens on
each side of the live stage in perfect synchronization. The action
shown live onstage
involving the glory cloud, the angels, the gold Jewish star and the Ark
of the Covenant is video on the large video screen onstage. When Dr.
Gold says
sentence
7, the pre-taped
video on the screens on each side of the live stage actually shows the
angels
flying downward into the Sanctuary itself and placing the Ark of
the Covenant
in the Holy of Holies.
As Dr. Gold says sentences 8-9, the
gold Star of David starts moving downward once again until it stops in
front of the
sanctuary as
shown above in Models 26-28. When Dr. Gold finishes the dialogue above,
the crowd in the pre-taped video footage watching the dedication of the
new Temple on the Temple Mount begins to chant "Gold, Gold, we
want Gold" repeatedly and
are delirious acting as if Dr. Gold is a god himself.
At the same time, the audience who is
watching "The Unveiling" production live also begins chanting "Gold,
Gold, we
want Gold" and in effect becomes the crowd watching the Temple
dedication ceremony on the Temple Mount. This
is yet another interactive moment in the live production involving the
live
audience.
As
the chanting of "Gold,
Gold, we
want Gold" continues,
the
stage and glory cloud darken and the
gold Star of David shines brightly
as shown above in Model 29. Following this, a ray of light from above
shines down on Dr. Gold as shown above in Model 30 and the gold Star of
David moves from being right in front of the sanctuary to being
directly behind Dr. Gold suspended in the air. At this point, a prop of
the actual gold
Star of David appears live onstage suspended
in the air behind Dr. Gold.
Immediately
thereafter, Dr.
Gold levitates above the East Gate and
climbs aboard the Star as
shown
above in Model 31. Shortly thereafter, ten
rays of light shoot down
from out of the sky and illuminate the ten prophets and patriarchs who
are standing atop the front of the Temple as shown above in Model 32.
There should be ten rays of light and ten prophet and patriarchs
onstage rather than six for the same reason already discussed in
earlier action. All this action also takes place in the pre-taped video
playing on the screens on each side of the live stage in sync with the
live
action. At this point, the prophets and patriarchs
say the dialogue
below Model 37 in
unison and
with a great deal of power as the action continues uninterrupted. The
dialogue
is messianic prophecies about the Jewish messiah and the inference is
that Dr. Gold is their long awaited messiah.)
![](1gold43.jpg)
|
Model
33-Lights from above on Dr. Gold and
the Prophets and Patriarchs.
|
![](1gold44.jpg)
|
Model
34-Dr. Gold and Star move forward
over stage as dialogue is
spoken.
|
![](1gold45.jpg)
|
Model
35-The Star of David and Dr. Gold suspended in the air in front of the
live audience. |
![](1gold46.jpg)
|
Model
36-Band
onstage ready to play the song "The Temple of Gold." |
![](1gold47.jpg)
|
Model
37-The band
begins playing the song "The Temple of Gold." |
<>
As the
action continues
uninterrupted with the following text and
Models 33-37, the stage looks like
Model 33 above and the prophets and patriarchs start to
say the dialogue below.
Prophets and Patriarchs:( Behold,
the days come, saith the Lord, that I will
raise unto David a righteous Branch, and
a King shall reign and prosper, and shall execute judgment and justice
in the earth.
In
his days Judah
shall be
saved, and Israel
shall dwell safely: and this is his name whereby he shall be called,
the Lord our
righteousness, the
root and the offspring
of David, and the bright and morning star.-(As soon as the prophets and patriarchs
start to say the dialogue above, the gold Star of David with Dr. Gold
aboard it begin moving forward over the stage as shown above in Model
34 on a
large overhead track that extends from the stage out over the live
audience. By
the time the prophets and patriarchs are almost finished with the
dialogue, the Star has stopped moving forward and is suspended in
the air in front of the live audience as shown above in Model 35. The
band is now onstage and the drumset is
levitated above the Sanctuary as shown above in Model 36. As soon as
the prophets and patriarchs finish the dialogue above, the band starts
playing the song "The Temple of Gold" live and the stage lights back up as shown
above in Model 37. The action just described
also takes place in the pre-taped video from the Temple Mount playing
on the screens on each side of the live stage in sync with the live
action. Of course, there is no band or stage in front of the Temple
in the
pre-taped video footage. In this case, the gold Star with Dr. Gold
aboard it moves forward over the
area
between the front of the Temple and the first row of people watching
the dedication
on the Temple Mount rather than over the live stage. The gold Star
stops
moving forward in the video when it reaches the first row of viewers on
the Temple Mount and is suspended in the air in front of the crowd
watching the dedication ceremony. Both the
pre-taped video and live action are showing the same exact
scene on the Temple Mount and the live audience plays the role of the
crowd on the Temple Mount. At the point, the live action and video
playing on the screens on each side of the live stage continues
uninterrupted with Models 38-49 and the text below Model 49 as the song
"The Temple of Gold" is played live. The text
describing the action that takes place as the song is performed live is
broken
down into sections that go along with the lyrics of the song.)
The
Temple of Gold
Verse
1:
Trumpets
played in the halls tonight
The
Temple of
Jerusalem shined
bright
A
house decorated in Silver and Gold
Where
lost souls are bought and sold
Verse
2:
Ridin
a fallen star from heaven above
He
reveled in their adoration and love
Beaming
and glowing at the dedication
The
perfect setting for his coronation
Bridge:
Israel
rejoiced over her new Temple and King
“Hosanna,
Hosanna,” we heard her sing
She worshipped and crowned
the Dark Knight
Dancing
with the devil in the pale moonlight
Chorus
1:
Come
one, come all
To
the shrine that will finally unify mankind
Come
one, come all, come join
The
Temple of Gold,
the Temple of Gold,
the Temple
of Gold
Verse
3:
Murder
lurked in the rabid crowd
She
was silent as they celebrated aloud
Allah
grimaced and plotted his revenge
The
Rock’s desecration must be avenged
Verse
4:
Perched
high atop the Wailing Wall
The
Final Avenger stood tall
Waiting anxiously by the
burning cross
He foresaw the bloodshed
and tragic loss
Bridge:
High
noon in the promised land
For the prophecy was close
at hand
The
Temple of
Gold was ground
zero.
For
the slaying of a superhero.
Chorus
2:
Come
one, come all
To
the shrine that will finally destroy mankind
Come
one, come all, come join
The
Temple of Gold,
the Temple of Gold,
the Temple
of Gold
Verse
5:
Step up and enter the
Temple of Gold
A house of eternal beauty
majestic and bold
Come celebrate life at the
Temple of Gold
We'll give
you the world and steal your soul
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Model
38-The band
starts playing the song "The Temple of Gold." |
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Model
39-The Star of David and Dr. Gold suspended in the air in front of the
live audience. |
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Model
40-The Star begins moving forward
over the audience and palm branches appear in front of its path.
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Model
41-The
Star moves forward over the live audience and palm branches appear in
front
of its path. |
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Model
42-The Star of David continues moving
forward
over the live audience.
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Model
43-The Star lights up brightly as it
continues moving forward and more branches appear in its path.
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Model
44-Band
onstage playing "The Temple of Gold."
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Model
45-Live stage for the
chorus of the song "The Temple of Gold."
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Model
46-False Prophets sing
chorus of "The Temple of Gold" with fire #1. |
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Model
47-False Prophets sing
chorus of "The Temple of Gold" with fire #2. |
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Model
48-False Prophets sing
chorus of "The Temple of Gold" with fire #3.
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Model
49-The band
playing the song "The Temple of Gold." |
The
Temple of Gold
Verse 1:
Trumpets played in the halls
tonight
The Temple of Jerusalem shined
bright
A house decorated in Silver and
Gold
Where lost souls are bought and sold
Verse 2:
Ridin a fallen star from heaven above
He reveled in the adoration and
love
Beaming and glowing at the dedication
The perfect setting for his coronation
Bridge #1:
Israel rejoiced over her new
Temple and King
"Hosanna, Hosanna" we heard her
sing
She worshipped and crowned the
Dark Knight
Dancing with the devil in the
pale moonlight
Chorus #1:
Come one, come all
To the shrine that will finally
unify mankind
Come one, come all, come join
The Temple of Gold, The Temple
of Gold, The Temple of Gold
As the action continues uninterrupted and the
song "The Temple of Gold" begins to be
played live, we see
the band performing the song "The Temple of Gold" live
in front of the prop of the Temple that's onstage as shown above in
Model 38. Dr. Gold
is aboard the gold Star which is suspended in
the air in front of the live audience as shown above in
Model 39. As soon as the vocalist begins singing Verse 2, the gold Star
starts moving over
the live audience as shown above in Model 40 on the large overhead track
that extends from the stage out over the live audience. As the gold
Star moves
over
the live audience, they lay large
palm branches in front of the gold Star as shown above in Models 40-43.
This is a counterfeit re-creation of Palm Sunday which commemorates Jesus
triumphal entry into Jerusalem on the Sunday before his death and
resurrection. The people laid palm branches on the ground in front of
Jesus in celebration as he rode a donkey into Jerusalem. Similarly, the
live audience who is playing the role of the crowd on the Temple Mount
in Jerusalem is laying palm branches in front of Dr. Gold who will be
killed and resurrected shortly. The same
sequence
of events just described for
the live action also occurs at the same time in the pre-taped video
footage
from the Temple Mount playing on the screens on each side of the live
stage. When the
song "The Temple of Gold" begins to be played live, Dr.
Gold is aboard the gold Star which is suspended in the air
in front of the crowd
watching the dedication ceremony on the Temple Mount. As soon as the vocalist
begins singing Verse 2, the gold Star with Dr. Gold
aboard it begins moving forward over the crowd supernaturally on the
Temple Mount. As the gold Star moves
forward
over the crowd on the Temple Mount, they place palm branches in
front of the gold Star and Dr. Gold just like the live audience did.
As Dr. Gold
moves
over
the live audience and the crowd on the Temple Mount in the pre-taped
video, the
chants
of "Gold,
Gold, we
want Gold" are heard and Dr. Gold smiles nodding
his head up and down reveling
in the crowd's adulation. When the lyrics "Beaming and glowing at the dedication" are sung, the gold
Star supernaturally lights up brightly
in the live action as
shown above in Model 42 and in the pre-taped video from the Temple Mount. When the
vocalist sings "Bridge #1" above, the
pre-taped video footage shows people
throughout Israel celebrating the dedication of the new Temple
including a large
celebration at the Wailing Wall. The people are dancing in the streets
and holding up large poster-sized photos of Dr. Gold. We also continue
to see footage of the crowd on the Temple Mount praising
Dr. Gold and celebrating at the dedication. As Chorus #1 begins,
the
live stage goes from being totally lit up as shown above in Model 44 to
having just the prophets and patriarchs lit up by rays of light shining
down from above as
shown above in Model 45. The prophets and patriarchs sing the chorus of
the song "The Temple of Gold" with the band onstage. As the
prophets and patriarchs sing the final line of Chorus #1 saying "The
Temple of Gold" three times, flames shoot up into the air from behind a prophet or patriarch on each
side of the stage at the same time moving in
sequence from the outermost prophets or patriarchs inward as shown
above in Models 46-48. As soon as Chorus #1 ends, the entire "Temple
of Gold" prop lights back up as shown above in Model 49. The action
continues uninterrupted with Models 50-54 and the text below Model 54
as
the song "The Temple of Gold" continues to be played live.
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Model
50-The Wailing Wall with the burning cross and Ten Commandments.
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Model
51-Joshua comes out of burning cross and stands atop the Wailing Wall.
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Model
52-Joshua standing atop the Wailing Wall with news crew filming him.
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Model
53-The Star and Dr. Gold return to
the stage as the band plays.
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Model
54-Dr. Gold finishing his speech at the dedication ceremony.
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Verse 3:
Murder lurked in the rabid crowd
She sat silent as they
celebrated aloud
Allah grimaced and plotted his
revenge
The Rock's desecration must be avenged
Verse 4:
Perched high atop the Wailing Wall
The Final Avenger stood tall
Waiting anxiously by the burning cross
He foresaw the bloodshed and tragic loss
Bridge #2:
High noon in the Promised Land
For
the prophecy was close at hand
The Temple of Gold was ground
zero
For the slaying of a superhero
Chorus #2:
Come one, come all
To
the shrine that will finally destroy mankind
Come one, come all, come join
The Temple of Gold, The Temple
of Gold, The Temple of Gold
Verse 5:
Step up and enter the Temple of
Gold
A house of eternal beauty
majestic and bold
Come celebrate life at the
Temple of Gold
We'll give you the world and
steal your soul
Lead break:
The action continues uninterrupted with Models
50-54 and the following text as the
song "The Temple of Gold" continues to be
played live. By the time Verse 3 is ready to be sung, the gold Star in
the pre-taped video has reached the last row of people on the Temple
Mount,
turned around and started moving over the crowd back towards the
new Temple. At the same time, the gold Star in the live
action reaches the last row of seats on the floor of the auditorium,
turns around and starts moving over the live audience back towards the
prop of the new Temple onstage. The crowds in both the video and live
action place palm branches in front of the Star as it moves back
towards the
Temple like they just did when the Star moved away from the
Temple. When the vocalist begins singing Verse 3,
the pre-taped video on the screens on each side of the live stage shows a group of five Orthodox
Jews standing next to Dawn and her camera crew in the first row of
spectators watching the dedication ceremony on the Temple Mount. They are in the middle of
the front row lined up with the East Gate of the new Temple.
The Jews are watching
Dr. Gold and the Star move over the crowd back towards the Temple. They
are dressed in their traditional clothing wearing hats
and long coats, have beards and long locs of hair on the sides of
their
heads. They are conversing with one another, looking anxiously at
Dr. Gold and the surrounding area on the Temple Mount, and looking down
at themselves
adjusting something under their coats. We also see Dawn
and her camera crew watching Dr. Gold atop the Star
and the raucous crowd on the Temple Mount. When
the vocalist begins singing the third line from Verse 3, the video on
one of
the screens at the side of the live stage changes showing video of the
Dome of the Rock on the Temple Mount as the other screen continues to
show the
video of the Orthodox Jews on the Temple Mount. The video of the Dome
of
the Rock is current happening at the same time as the Temple
dedication and we can see the celebration on the Temple Mount in the
video of the Dome of the Rock. As soon as the vocalist
finishes Verse 3, the video of the Dome of the Rock changes to video of
the Wailing Wall and the burning cross as shown
above in Model 50. The other screen continues to show video of the
Orthodox Jews on the
Temple Mount and the gold Star and Dr. Gold moving over the
crowd
drawing closer to the Temple.
As soon as the vocalist begins singing Verse 4, Joshua walks out
of the burning cross atop the Wailing Wall and stands beside the cross
looking in the direction of the new Temple as shown above in Model 51.
The
burning cross atop the Wailing Wall is a portal into
and out of heaven for a select few. Joshua is returning to earth
having spent the
entire night and following day in heaven after entering the large
burning
cross in the sky above Western Wall Plaza at the end of Symbols's last
show in Western Wall Plaza. Joshua
has spent this
time in heaven being briefed and given final instructions on how to
conduct the
battle that
lies ahead in the second half of the Tribulation Period.
At
this point, the camera shot changes so that we are looking straight at
Joshua
rather than at his backside.
His blue eyes are now permanently orange looking like flames and glow
in the darkness.
The Christian symbols that were on his trenchcoat have been replaced by
prophetic
scriptures from the book
of Revelation which
are imprinted on his trenchcoat in Hebrew.
In particular, the verses about the four seals and trumpet judgements.
The scriptures are
lit up
in orange looking as if they're actually burning on the trenchcoat and will
remain like that for
the remainder of the action in "The Temple
of Gold." As
the vocalist continues
singing Verse 4, a UNN helicopter news crew
shines a spotlight on Joshua atop the Wailing Wall as shown above in
Model 52 and some of the people celebrating the Temple dedication at
the Wailing Wall point up at him. Immediately thereafter, the video on
the other screen which is still showing the Orthodox Jews on the Temple
Mount
changes and now shows Daniel,
Darlene, Harmony,
Joshua's
band
and a few other people in a hotel room in Jerusalem watching the news
coverage of the dedication ceremony on T.V.. The image on the
television screen
looks like Model 52 above and there is a caption at the bottom of the
television screen that says "The Return of Holy Soldier." Harmony
points at Joshua on the television screen and mouths the word "daddy,"
Darlene sighs and smiles relieved to see Joshua for the first time
since he disappeared into the burning cross in the sky, and Gibson
points at Joshua's orange eyes on the T.V. and says something to the
others. Following this,
the video changes once again and we see one of Dawn's camera crew
showing her a tablet screen with the image of Joshua atop the Wailing
Wall on it. The cameraman looks and points upward into sky, Dawn looks
upward and sees the UNN helicopter in the distance that's filming
Joshua
on the Wailing Wall.
As Bridge #2 and Chorus #2 of the song "The Temple of Gold" are
performed live, a series of pre-taped
video clips
are shown on
the screens on each side of the live stage including the new Temple,
Joshua
atop the Wailing
Wall, the five Orthodox Jews on the Temple Mount, Dawn and her camera
crew on the Temple Mount, Dr. Gold atop the gold Star moving over the
crowd towards the Temple, the raucous crowd on the Temple Mount, wide
overhead
shots of the entire Temple Mount which show both the new Temple and the
Dome of the Rock, people continuing to celebrate in the
streets of Israel, and Daniel, Darlene and the band watching coverage
of the
Temple dedication in their hotel room. The video clips play one after
another in a random but chronological order. The
action on the live stage during Chorus #2 is exactly the same as it was
for Chorus #1 as described earlier and shown above in Models 45-48. When
the vocalist begins
singing Verse 5, Dr. Gold and the gold Star have returned to the Temple
and
are suspended in the air above
the East Gate of the Temple in both the pre-taped video and live
onstage as shown
above in Model 53. As Verse 5 is sung and the guitar solo in the song
"The Temple of Gold"
is played, pre-taped
video footage of the Temple of Gold starts playing on the
screens on each side of the live stage replacing the series of video
clips
mentioned above. By the time
the guitar solo ends, a video tour of the entire Temple complex inside
and out in
great detail has been shown to the live audience. This includes a
secret
compound located underneath the Temple complex that's full of computer
and communication equipment and houses a lavish underground mansion
decorated in silver and gold.
The compound
is Dr. Gold's hidden lair and command and control center in Israel
where he
will spend the majority of his time during the second half of the
Tribulation Period. However, the location of Dr. Gold's lair under the
Temple complex is not revealed until Part 2 of "The Unveiling" when the
Abomination of Desolation takes placc.
Following the guitar solo, the video on the screens
on each side of the live stage changes and we now see a series of video
clips
like those shown during Bridge #2 and Chorus #2 with the same
characters and settings
but further along in time. These
video clips play on the screens until the song "The Temple of Gold" is
over. In
the last video clip of this series which appears on both screens on
each side of the live stage, Joshua puts on a
pair of futuristic looking sunglasses, pushes a button on the side of
the frame of the glasses and a red light comes on next to the button.
Immediately thereafter, video of a satellite in the sky begins playing
superimposed on the image of Joshua atop the Wailing Wall, a red light
lights up on
the satellite, the satellite rotates in
the sky and then stops moving. At that exact moment, video of the
dedication ceremony that's currently taking place on the Temple Mount
begins playing in the lens of the sunglasses and the camera shot in the
video is from Joshua's vantage point looking out through the glasses in
the direction of the new Temple. He can see both the the
dedication ceremony and the view in front of himself. The glasses are
also equipped with night
vision so his ability to see in nighttime conditions is greatly
enhanced. Before turning on the sunglasses, Joshua couldn't see the
action occuring at the dedication ceremony on the Temple Mount because
from his vantage point atop the Wailing Wall he's looking at the
backside of the new Temple. Now he has a clear view of the crowd on the
Temple Mount, the new Temple and Dr. Gold who is suspended above the
East Gate of the
Temple aboard the gold Star. As soon as the band finishes playing "The
Temple of
Gold," they leave the stage as shown above in Model 54. Shortly
thereafter, the
video of
the dedication ceremony playing in the lens of Joshua's glasses
which looks exactly like
Model 54 expands and fills both screens replacing the video
looking out through Joshua's glasses from atop the Wailing Wall. At
this point, both the pre-taped
video and live action onstage are showing the same scene as shown above
in Model
54. The action continues
uninterrupted with Models 55-74 and the text below Model 74 as Dr.
Gold
completes his address at the dedication ceremony.
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Model
55-Dr. Gold finishing his speech at the dedication ceremony.
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Model
56-Dr. Gold shot by Arab terrorists and falling on steps of East Gate.
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Model
57-Joshua rises upward after killing Arab terrorists at the Temple.
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Model
58-Joshua suspended in the air above the Sanctuary of the Temple.
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Model
59-Joshua causes the sky above Jerusalem and Temple to darken.
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Model
60-Joshua causes the sky above Jerusalem and Temple to darken.
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Model
61-Sky begins to change after being hit by Joshua's energy.
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Model
62-Sky
changing after being hit by Joshua's energy #1.
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Model
63-Sky
changing after being hit by Joshua's energy #2.
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Model
64-Gabriel and angels in the sky over the Temple and Jerusalem.
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Model
65-Joshua moves downward for unobstructed view of Gabriel.
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Model
66-Lightning bolts summoned by Joshua hit and kill false prophets.
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Model
67-Lightning
bolts summoned by Joshua hit and kill false prophets.
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Model
68-Slain False Prophets laying on the steps of the Temple.
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Model
69-UNN helicopter with spotlight on Dr. Gold at the Temple of Gold.
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Model
70-The nighttime view of Jerusalem and the UNN news helicopter.
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Model
71-Model
74-The live stage at the end of Part 1 of "The Unveiling."
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As the
action continues
uninterrupted with Models 55-74 and the
following text, the band has just finished playing the
song "The Temple
of Gold"
live and have left the stage. Dr. Gold is aboard the gold Star of David
which is suspended above the East Gate of the Temple as shown above in
Model 55 and he completes his address at the dedication ceremony with
the
dialogue below. Both the
pre-taped video on the screens on each side of the live stage and the
live stage are showing the same exact
scene as shown above in Model 55. However, the
only characters that are actually live onstage are Dr. Gold, Dr.
Silver and the ten false prophets and patriarchs atop the gold porches
of the
Temple. The pre-taped video on the other hand will show all the
characters in the action about to take place and the Temple Mount.
Models 55-74 depict
action on
the live stage but the same action occurs in the pre-taped video
footage playing on the screens on each side of the live stage in sync
with the live action.